Notes for an Epilogue
- Esther Jablotschkin
Tamas Dezso from Budapest, Hungary, is a fine art documentary photographer working on long-term projects focusing on the margins of society in Hungary, Romania and in other parts of Eastern Europe. His latest series ‘Notes for an Epilogue’ deals with the spiritual tradition and physical heritage simultaneously disintegrating in Romania.
Time is beginning to undermine centuries-old traditions preserved in tiny villages, in communities of only a few houses, as well as the bastions of the communist era’s enforced industrialization, which became part and parcel of Romania’s recent history. Those living in the reservations of forgetting blend with nature, exhibiting a humility inherited through generations. Urged on by modernization, they are living out their last days in evident equality of closeness to nature and, helping time, they are diligently pulling down the absurd edifices of their environment. ‘One year ago, I began photographing the scenes of a world irreversibly decaying, the transformation of a Balkan country surviving the region’s hardest dictatorship. When capturing the still recordable milieu I am examining the parallel of a general tendency and personal stories: as resilient humanity condensing into symbolic destinies takes shape in the face of mortality,’ the artist explains.
All images © Tamas Dezso